‘In Competition’ Trailers and Synopsis | Cannes Film Festival 2015

The upcoming 2015 Cannes Film Festival is to be held from 13 to 24 May 2015. The festival is widely considered one of the greatest showcases of cinema in the world, one of the most prestigious stages for any filmmaker! With all the hype surrounding this year’s 68th Annual Festival, here’s the synopsis and trailers (where available) of the movies in competition for the Palme d’Or!

In Competition:

Dheepan, d. Jacques Audiard (France)

“To escape the civil war in Sri Lanka, a former soldier, a young woman and a little girl pose as a family. They end up settling in a housing project outside Paris. They barely know one another, but try to build a life together”


La Loi du marché (A Simple Man), d. Stéphane Brizé (France)



“After being out of work for twenty years, fifty-one-year-old Thierry starts a new job. He is soon confronted by a moral dilemma: to keep his job, should he accept everything asked of him?


Marguerite et Julien (Marguerite and Julien), d. Valérie Donzelli (France)

“Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other tenderly since childhood. But as they grow up, their affection veers toward voracious passion. Scandalized by their affair, society hounds them until, unable to resist their feelings, they flee.

A contemporary fairytale about desire, passion, hope, love and death. A timeless story, beyond all morality.  ”


Il racconto dei racconti (The Tale of Tales), d. Matteo Garrone (Italy)

“Once upon a time there were three neighboring kingdoms each with a magnificent castle, from which ruled kings and queens, princes and princesses. One king was a fornicating libertine, another captivated by a strange animal, while one of the queens was obsessed by her wish for a child. Sorcerers and fairies, fearsome monsters, ogres and old washerwomen, acrobats and courtesans are the protagonists of this loose interpretation of the celebrated tales of Giambattista Basile. “

 


Carol, d. Todd Haynes (UK/USA)

“In New York in the early 1950s, Therese Belivet, is working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol Aird, an alluring woman trapped in a failing marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens.

When Carol’s involvement with Therese comes to light, Carol’s husband retaliates by challenging her competence as a mother. And as Carol and Therese take refuge on the road, leaving their respective lives behind, a confrontation emerges that will test each woman’s assumptions about herself and commitments to one another”


The Assassin (Nie Yinniang), d. Hou Hsiao Hsien (Taiwan)

Teaser Trailer here!

“9th century China. 10-year-old general’s daughter Nie Yinniang is abducted by a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised – a cousin who now leads the largest military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings.
A slave to the orders of her mistress, Nie Yinniang must choose: sacrifice the man she loves or break forever with the sacred way of the righteous assassins “


Mountains May Depart (Shan He Gu Ren), d. Jia Zhang-ke (China PR)

Trailer here!

“In 1999, Fenyang.
Tao, a school teacher, is in love with Liang, who is a coal miner. But Tao brings an end to their relationship when she is proposed marriage with Jinsheng, who just became an owner of the coal mine. Hearbroken, Liang leaves his hometown in self-exile. In 2014, Liang, who lives in Handang, finds himself in a fatal illness. Liang decides to go back to Fenyang with his wife and a daughter to live his last days at his hometown. Liang meets Tao, who was already divorced with Jinsheng, and lives alone. Meanwhile, her son, Daole, who lives in Shanghai with Jinsheng, temporary comes back to Fenyang to his grandpa’s funeral. Tao learns that Daole is going to immigrate to Australia with Jinsheng. After the funeral, Tao sees off her son on the train to Shanghai.”


Our Little Sister (Umimachi Diary), d. Hirokazu Kore-eda (Japan)

“Three sisters – Sachi, Yoshino and Chika – live together in a large house in the city of Kamakura. When their father – absent from the family home for the last 15 years – dies, they travel to the countryside for his funeral, and meet their shy teenage half-sister. Bonding quickly with the orphaned Suzu, they invite her to live with them. Suzu eagerly agrees, and a new life of joyful discovery begins for the four siblings…  “


Macbeth, d. Justin Kurzel (UK/France/USA)

“Macbeth is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition set in war torn 11th Century Scotland. “


The Lobster, d. Yorgos Lanthimos (Greece)

“A love story set in the near future where single people, according to the rules of The City, are arrested and transferred to The Hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal of their choosing and released into The Woods. A desperate Man escapes from The Hotel to The Woods where The Loners live and falls in love, although it is against their rules”


Mon roi, d. Maïwenn (France)

“Tony is admitted to a rehabilitation center after a serious ski accident.
Dependent on the medical staff and pain relievers, she takes time to look back on a turbulent relationship that she experienced with Georgio.
Why did they love each other? Who is this man that she loved so deeply?
How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free…  “


Mia madre, d. Nanni Moretti (Italy)

“Margherita is a director shooting a film with the famous American actor, Barry Huggins, who is quite a headache on set. Away from the shoot, Margherita tries to hold her life together, despite her mother’s illness and her daughter’s adolescence”


Son of Saul (Saul Fia), d. László Nemes (Hungary)

“October 1944, Auschwitz-Birkenau.
Saul Ausländer is a Hungarian member of the Sonderkommando, the group of Jewish prisoners isolated from the camp and forced to assist the Nazis in the machinery of large-scale extermination.
While working in one of the crematoriums, Saul discovers the corpse of a boy he takes for his son.
As the Sonderkommando plans a rebellion, Saul decides to carry out an impossible task: save the child’s body from the flames, find a rabbi to recite the mourner’s Kaddish and offer the boy a proper burial.”


Youth, d. Paolo Sorrentino (Italy)

“Fred and Mick, two old friends approaching their eighties, are enjoying a vacation in a lovely hotel in the foothills of the Alps. Fred, a retired composer and conductor, has no intention of returning to his music career which he dropped a long time ago, while Mick, a director, is still working, hurrying to finish the screenplay of his latest film. Both friends know that their days are numbered and decide to face their future together. But unlike them, no one else seems worried about the passing of time…  “


Louder than Bombs, d. Joachim Trier (Norway, France, Denmark, USA)

“An upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death, brings her eldest son Jonah back to the family house – forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently”


Sea of Trees, d. Gus Van Sant (USA)

“It’s love and loss that lead Arthur Brennan, across the world to Japan’s Aokigahara, a mysterious dense forest known as The Sea of Trees lapping the foothills of Japan’s Mount Fuji – a place where people go to contemplate life and death. Arthur enters the depths of the forest and loses himself beyond the guiding ribbons threaded through the trees by many before him. Having found the perfect place to die, Arthur encounters Takumi Nakamura, a Japanese man who also appears to have lost his way. Unable to leave Takumi behind, Arthur invests all of his remaining energy into saving Takumi and returning him to safety. The two men embark on a journey of reflection and survival, which affirms Arthur’s will to live and reconnects him to his love with his wife. “


 

Sicario, d. Denis Villeneuve (USA)

“In Mexico, SICARIO means hitman.
In the lawless border area stretching between the U.S. and Mexico, an idealistic FBI agent is enlisted by an elite government task force official to aid in the escalating war against drugs.
Led by an enigmatic consultant with a questionable past, the team sets out on a clandestine journey forcing Kate to question everything that she believes in order to survive.”


Valley of Love, d. Villaume Nicloux (France)

“Isabelle and Gérard go to a strange appointment in the Death Valley, California. They have not seen each other for years and are here to answer to an invitation from their son Michael, a photographer, which they received after his suicide, six months ago.
Despite the absurdity of the situation, they decide to follow the initiatory program designed by Michael…  “


Chronic, d. Michel Franco (Mexico)

“David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. It is clear that he needs each patient as much as they need him. “


MustSeeCinema will guide you through all of the festivities this year. In the spirit of Cannes, and to quote Mr. Quentin Tarantino, Vive le cinéma!!!